Landscape and Memory

Simon Schama

За особеностите на екземпляра

Състояние:: Много добро
Забележка:: Нормални следи от употреба.
Език:: Английски
Наличност:: 1 бр.

За изданието

Издателство:: Harper Collins Publishers
Град на издаване:: London
Година:: 1995 г.
Език:: Английски
Страници:: 670
Корици:: Меки
Категория:: Културология и антропология

Opening a radically new and original path into history, Simon Schama explores the scenery of our Western culture, both real landscapes and landscapes of the mind that have given us our sense of homeland, the dark woods of our imagined origins. What unfolds is a series of compelling journeys through space and time: from the ancient woodland of Poland, a symbol over the centuries of national endurance, through the forest birthplace of the German psyche, to the Big Trees of Yosemite that gave a new nation its holy past. Through all of history, from pre-classical antiquity to the Third Reich and beyond, Schama uncovers the myths and memories that have stamped themselves on our most basic social instincts and institutions: territorial identity, the wild and domestic, mortality and immortality. "A work of great ambition and enormous intellectual scope...consistently provocative and revealing."--New York Times "Extraordinary...a summary cannot convey the riches of this book. It will absorb, instruct, and fascinate."--New York Review of Books With this fascinating, encyclopedic survey of cultural landscapes, Schama demonstrates once again just why he holds a charmed place in the literature of historical interpretation. The landscape is a work of the mind, argues Schama, another compartment in the cultural baggage we all lug about. The scenery is built up as much from strata of memory as from layers of rock, shaped by the same rich and complex traditions that frame other aspects of our cultural world. Without the proper context (or rather the proper contexts, as our way of seeing changes with the prevailing ideological fashion), we are unable to harvest from a look at the land all that it has to offer - all the allegorical, mythological, and metaphorical notes (not to mention a greater appreciation of just what we stand to lose by continuing to degrade the land); instead, we emerge with an impoverished sense of place. Schama proceeds by slicing the landscape into three elements - wood, water, and rock-and then digging deep and wide to excavate their manifold traditions, unveiling a luxurious wealth of landscape history. But Schama's project goes beyond the cataloging of marvelous incidentals and minutiae-from Druid grove to tabernacle, from Mt. Olympus to Mt. Rushmore, from sacred stream to the Yangtze. As each and every aspect of the cultural landscape comes bubbling up through the overburden of history, Schama knits it together with what has come before, creating on the page an environment so palpable you can almost crawl inside and marvel at an ancient oak, a swath of meadow, and do so through the eyes of a pagan, or a renegade, or a Victorian mountaineer. Wearing his erudition lightly, Schama effortlessly juggles a landslide of material and presents his tale with the captivating, inviting intimacy of a gifted storyteller.