On being human

New Shelburne Essays

Paul Elmer More

За особеностите на екземпляра

Състояние:: Отлично
Език:: Английски
Наличност:: 1 бр.

За изданието

Издателство:: Princeton University Press
Град на издаване:: Princeton
Година:: 1936 г.
Антикварна:: Да
Език:: Английски
Страници:: 202
Корици:: Твърди
Категория:: Философия, естетика и етика

(1864-1937). U.S. scholar and conservative critic Paul More was one of the leading exponents of the New Humanism in literary criticism. The movement known as New Humanism was based on the literary and social theories of the English poet and critic Matthew Arnold, who sought to recapture the moral quality of past civilizations in an age of industrialization and materialism. Paul Elmer More was born on Dec. 12, 1864, in St. Louis, Mo. He was educated at Washington University in St. Louis and at Harvard, where, from 1894 to 1895, he was an assistant professor in Sanskrit. In 1895 More was hired as an associate professor in Sanskrit and classical literature at Bryn Mawr College, Bryn Mawr, Pa. He served as literary editor of The Independent (1901-03) and the New York Evening Post (1903-09) and as editor of The Nation (1909-14). More, like his associate and fellow leader of the New Humanists, Irving Babbitt, was an uncompromising advocate of traditional critical standards and classical restraint in a time that saw the emergence of such naturalist writers as Theodore Dreiser and Sinclair Lewis, whose novels dealt with social issues. As a consequence he drew considerable critical fire, in particular from H.L. Mencken, who led the attack on More, Babbitt, and their disciple, Norman Foerster. More’s best-known work is his multivolume Shelburne Essays (1904-21), a collection of articles and reviews, most of which had appeared in The Nation and other periodicals. Also notable among More’s writings are Platonism (1917), The Religion of Plato (1921), Hellenistic Philosophies (1923), New Shelburne Essays (1928-36), and Pages from an Oxford Diary (1937). His monumental Greek Tradition (1924-31) is generally thought to be his finest work. More died on March 9, 1937, in Princeton, N.J.